Kannada cinema has always had a flair for experimenting with unconventional narratives and Edagaiye Apaghatakke Karana (translated as The Reason for All the Left-Handed Troubles) is the latest addition to this trend. Directed by debutant Samarth B. Kadkol, this black comedy-thriller is a bizarre yet brilliant exploration of how something as trivial as being left-handed can spiral into absolute chaos.
With a mix of sharp humor, unexpected twists and a standout performance by Diganth, this film is a refreshing departure from the usual commercial templates. It’s not without its flaws, but its originality and wit make it a memorable watch.
A Plot That’s as Unconventional as Its Protagonist
The film follows Lohit Rajesh (Diganth), a software engineer whose life turns into a nightmare—all because he’s left-handed. What starts as minor inconveniences (struggling with right-handed tools, awkward handshakes) quickly escalates into full-blown disaster when he becomes the prime suspect in multiple crimes—four murders and an accident—all linked to his left-handedness.
The premise is absurd but that’s exactly where the film’s charm lies. It takes a mundane reality (the world being designed for right-handers) and amplifies it into a darkly comedic thriller. The domino effect of mishaps keeps the audience hooked, wondering just how much worse things can get for poor Lohit.
Samarth Kadkol’s Confident Debut: A Director to Watch
For a first-time director, Samarth Kadkol demonstrates impressive control over tone and pacing. His background in short films is evident in the film’s tight screenplay and well-structured humor. The first half is particularly strong snappy, engaging and packed with laugh-out-loud moments.
The second half loses some steam. A few subplots feel unresolved, and certain twists could have been better fleshed out. But despite these hiccups, Kadkol’s ability to blend humor with suspense is commendable. He doesn’t rely on slapstick comedy or over-the-top action; instead, the humor arises naturally from Lohit’s increasingly ridiculous predicaments.
With a little more polish in storytelling, Kadkol could become a significant voice in Kannada cinema’s new wave.
Diganth’s Comeback Performance: Comedy Gold
Diganth has always had a knack for comedy but in recent years, his choices haven’t always showcased his strengths. Edagaiye Apaghatakke Karana changes that. As Lohit, he delivers a performance that’s equal parts hilarious and relatable his exasperation at the world’s bias against left-handers is both funny and oddly poignant.
His comic timing is impeccable, whether he’s struggling with a right-handed can opener or desperately trying to prove his innocence. But what makes his performance special is the subtle vulnerability he brings to the role. Lohit isn’t just a caricature; he’s a man pushed to the edge by circumstances beyond his control, and Diganth nails that balance.
Nidhi Subbaiah & Dhanu Harsha: Strong Supporting Acts
Nidhi Subbaiah, reuniting with Diganth after Pancharangi, doesn’t have a massive role but leaves a mark whenever she’s on screen. Their chemistry adds a nostalgic touch for fans of their earlier collaborations.
The real surprise, though, is newcomer Dhanu Harsha. She plays a pivotal character with confidence and ease, holding her own against seasoned actors. Her performance suggests she’s one to watch in the industry.
Special mention must also go to Radhika Narayan, whose cameo is a major turning point in the story. She steals every scene she’s in, delivering one of the film’s most memorable moments.
Cinematography & Music: Enhancing the Madness
Cinematographer Abhimanyu Sadanandan deserves applause for giving the film a distinct visual style. The framing of certain sequences particularly the chase scenes adds to the tension while keeping the absurdity alive. The color grading has a slightly off-kilter tone, which complements the film’s quirky vibe.
Praddyotan’s background score is understated but effective, heightening the suspense without overpowering the scenes. The minimal use of songs is also a smart choice—none feel forced, and they don’t disrupt the narrative flow.
Humor with a Side of Social Commentary
At its core, Edagaiye Apaghatakke Karana is more than just a comedy—it’s a satire on how society often sidelines those who don’t fit the norm. The left-handed metaphor extends beyond just physical inconveniences; it reflects the struggles of anyone who feels like an outsider in a system designed against them.
The film doesn’t hammer this message too hard, though. Instead, it lets the humor carry the weight, making the commentary feel organic rather than preachy. Whether it’s Lohit struggling with a metro gate or being accused of crimes because of his dominant hand, the jokes land because they’re rooted in real frustrations.
That said, a few gags in the latter half don’t hit as well, and some jokes feel repetitive. But the overall balance between dark comedy and suspense is handled well.
What Works & What Doesn’t
The Good:
Fresh, original concept – Rarely do we see films where left-handedness is the central conflict.
Diganth’s stellar performance – He carries the film with perfect comic timing and emotional depth.
Sharp first half – Fast-paced, engaging and packed with laughs.
Great cinematography & score – Visually appealing and sonically effective.
social undertones – A funny yet thought-provoking take on societal biases.
The Not-So-Good:
Second half drags slightly – A few subplots needed better resolution.
Some jokes overstay their welcome – A couple of gags lose steam by repetition.
Minor pacing issues – The transition between comedy and thriller isn’t always seamless.
Final Verdict: A Bold, Entertaining Experiment
Edagaiye Apaghatakke Karana isn’t flawless, but it’s undeniably original and entertaining. It takes a ridiculous premise and turns it into a gripping, laugh-out-loud experience. Diganth shines in what might be one of his best roles in years, and Samarth Kadkol proves he’s a director with a unique vision.
If you enjoy dark comedies with a twist, this film is well worth your time. It’s a rare Kannada movie that dares to be different and mostly succeeds.
Rating: ★★★½ (3.5/5)
Verdict: A left-handed victory for Kannada cinema quirky, bold and wildly entertaining.
Why You Should Watch It:
- For Diganth’s hilarious and heartfelt performance.
- For a fresh take on comedy-thrillers in Kannada cinema.
- For its clever blend of humor and social satire.
- For a director who isn’t afraid to take risks.
Edagaiye Apaghatakke Karana is proof that sometimes, the most absurd ideas make for the most memorable films. Don’t miss it.